Image of Turks in the West
"Taken to excess, the most agreeable things become extremely disagreeable."
Democritus
"Rather be the maligned than the maligner." Talmud, 499
Before discussing the westernizing reforms, I think it appropriate to examine more
closely the image of the Ottomans which existed in the Europe of the seventeenth and
eighteenth centuries.
At the beginning of the sixteenth century the Ottoman was still thought of essentially
as the enemy of Christianity. However, since he represented the `super power' of that
time, he inspired respect because of the strength of his armies and also the influence of
his civilization.
As Lucette Valensi said in her recent book Venice and the Sublime Porte:
This empire which could reasonably cause `terror to all the princes of the world, and
especially to neighboring Christians', was not founded merely on force of numbers nor yet
on force alone (Contarini,1583, p. 216). It was based on a political order. And this was
the principal object of fascination for Venetian observers: a system where all the parts
were subordinated to the centre in fine counterbalance; a structure such that all degrees
of the hierarchy were interdependent and all depended on the summit. The Ottoman Empire
formed an imposing edifice, the architecture of which appeared to conform to the
principles of beauty as defined by Palladio.
Racine's tragedy Bajazet portrayed in the character of Amurat the noble figure
of a Turkish prince caught between the calls of duty and love. Turkish melodies and
themes, even the drum, began to appear in Western music. A Romantic fashion took the
seraglio as its subject.
The Turkish defeats in the eighteenth century resulted in a sudden deterioration in
this image, which steadily worsened as our reverses continued. The victorious Ottoman had
represented the anger of God at the supposed sins of the West. The vanquished Ottoman had
now been punished by the West for the sins that he had committed. Defeat proved his sinful
nature and his guilt.
It is generally the case that any cultural difference between peoples tends to create
irritation and hostility, but the hostility between the Turk and the Frank was initially
based only on superficial differences. Five hundred years of Turkish invincibility had
prevented the Westerners from acquiring a feeling of superiority. Repeated defeats,
however, by adding the idea of Turkish guilt to the feeling of difference, not only
accentuated the difference but also changed its nature.
I am sure that some further explanation is necessary at this point.
The expansion in western Europe set in motion by the Renaissance had prepared the way
for the French Revolution. At the start of this revolution, which was to inaugurate the
fundamental concepts of freedom, human rights, democracy, and the nation-state, the
societies of western Europe were already profoundly different from Ottoman society.
Montesquieu used these differences as a weapon on behalf of the evolution of French
society.
The efforts made by Louis XIV to limit the privileges and powers of the nobles and
strengthen the State were regarded by Montesquieu as a step towards despotism. For him the
Ottoman and Persian regimes exemplified the reasons for resisting despotic tendencies.
According to Montesquieu, the Ottoman regime had certain distinguishing characteristics.
In his view its principal feature was the existence of a despotic Sultan, who treated his
subjects as slaves. It was in this respect that a despot differed from a monarch.
The Sultan was all, a superior being, the shadow of God. He alone mattered, other men
were nothing. Their lives and their goods depended on his word. The will of the despot was
omnipotent, cruel, and arbitrary. Religion and law, far from setting limits on this will,
were at his service.
The Palace was the centre of despotic power. Its inhabitants (women, eunuchs, young
servants, janissaries) were foreigners, the despot putting trust only in those who were
not of the people.
The economic system gathered all wealth into the Palace, thus starving the general
economy, preventing the country from developing, and resulting in stagnation. The Palace
was a sort of bottomless pit into which wealth disappeared. As neither life nor goods were
secure, investment and production were inadequate. That was why Anatolia, previously rich
and developed, was in ruins. Only the town of Istanbul had prospered, the rest of the
country had become impoverished.
The Islamic religion was cruel, bloody, and expansionist. It was the principal cause of
the rise of despotism. It displayed a limitless tolerance of sexuality and established the
polygamous family institution. Because polygamy had a negative influence on relationships
between men and women, the Ottoman population diminished constantly.
The courage of the Turk was due to the fact that he was a slave. He marched to his
death not for an ideal but because the despot had given the order; such was not courage.
The Ottoman State had thus become the example of everything a State should not be.
According to Montesquieu, it was clear that France must follow a course opposite to
that of Ottoman despotism. She must be governed by a monarch with limited powers, who
stayed close to his people. Society and individuals must be free, and enjoy inviolable
individual rights within an economy founded on the right to property, on the basic family
group of husband and wife, and on Christian principles.
This image of `oriental despotism', which to some extent was the product of
Montesquieu's imagination, but which found its way into works of social science, was
judged by Voltaire to be exaggerated when Protestant theologians defended the Islamic
religion. Rousseau, however, aligned himself with the ideas of Montesquieu.
What is relevant to us is that the dynamic forces in France, which were struggling for
a capitalist economic development and a democratic political regime, defined the model of
the State and society which they wished to adopt for their country as the antithesis, the
negation, the inverse of the Ottoman model.
These protagonists considered that several Ottoman characteristics still existed in the
French regime, although to different degrees. It was necessary therefore to purify the
French regime by the suppression of these characteristics and tendencies, and so give
France a new identity. The reverse of this positive identity was clearly that of the
Ottoman Turks.
Thus all the old institutions, attitudes, and values that western Europe was preparing
to abandon were transferred to the Turks, so creating their 'negative identity'.
The Ottoman image, removed from its own context, was used in the internal political and
economic interests of France. One might even say that the struggle for democracy, liberty,
and economic development in France took place, though partially, at the expense of the
Ottoman image.
The idea of Turkish `sacrilege' was reinforced during the wars of independence of the
Balkan Christian communities, and the westernizing reforms were perceived as an attempt by
the Turk to correct and rid himself of a character he had recognized as being guilty.
The merciless struggle undertaken by western Europe against the `cruelty' and
`despotism' of the Ottoman, `the incarnation of all evils', thus becomes more
understandable. The fact that Ottoman efforts to westernize did not in any way manage to
satisfy Europe can perhaps be explained by the European's inability to conceive that the
negative identity could ever become positive and Western.
Indeed, this negative identity might well have much deeper roots. It gives an
impression that it has some similarities with the hostile attitude of the West towards
Turks during the crusades. The speech of Pope Urban II, made on the occasion of the
Council of 1095 held to organize the campaign, is interesting from this point of view.
Oh Christians! Put an end to your crimes and let concord reign amongst you. Perpetual
security will reward you for the trifling task of defeating the Turks. Compare the pains
you have experienced in practicing your wickedness. . .
Hence, criminals were permitted to expiate their earthly sins by devoting themselves to
the service of God (in the crusades). All those burdened by debt were allowed to put
forward as a pretext for non-payment the belief that the commands of Heaven had priority
over obligations to one's fellowmen. As 1'abbé Fleury wrote:
The crusade served as a pretext by which. . . wrong-doers could avoid punishment for
their crimes, undisciplined ecclesiastics could shake off their yoke, rebellious monks
could escape from the cloisters, and fallen women could continue more freely with their
immoral way of life.
The murderers, adulterers, thieves, pirates, and brigands to whom Urban II referred in
his address all declared themselves eager to wash away their crimes in the blood of the
Turks.
The psychic mechanism which motivated the crusades was three-pronged. Firstly, Western
Christians, for reasons of their own, felt deeply sinful with respect to the high moral
standards of Christian faith. Secondly, the Turks were accused of being `the enemies of
God'. Finally, they took part in a series of campaigns in order to wash away their sins in
the blood of Turks either by killing them or-this is significant-by getting killed by
them, on the ground that `human existence (was) a misfortune and happiness (was) to be
found in death!'
This basic pattern, once firmly established, reappeared on several occasions in
history, especially when an increase in the feelings of sin had occurred in the West.
During the Balkan nations' struggle for independence, what we call `the crusader spirit'
was revived almost in its original form, as we can see in Western novels of the time.so
Killing or expelling Turks from Europe, rather than getting killed by them, has become the
third prong, reflecting the change in the correlation of forces in favour of Europe. In
the field of realpolitik, this spirit found satisfaction only in liberating the
`Christian' territories under the hegemony of this `Antichrist' in order ultimately to
eliminate its earthly dominion.
Nevertheless, the time that had elapsed since the crusades had an inevitable civilizing
effect on this pattern. But Turks, having historically experienced the `crusader spirit',
can recognize its return immediately, no matter how protean it is capable of being.
Influenced by the West, the élite of the Balkan nations has developed similar
symptoms. It may be useful for our purposes to reproduce some paragraphs from the book
entitled Report to Greco by N. Kazantzakis, an extraordinary author with deep
insight. Referring to the memories of the struggle between Crete and Turkey in his
childhood, he writes:
in my imagination, not only in my imagination but in my flesh as well, everything
became a symbol reminding me of the terrible contest. . . The Virgin is Crete, I told
myself, the black devil is the Turk....
.....this was the seed. From this seed the entire tree of my life germinated, budded,
flowered and bore fruit. To gain freedom first of all from the Turk, that was the initial
step, after that, later, this new struggle began: to gain freedom from the inner Turk-from
ignorance, malice and envy, from fear and laziness, from dazzling false ideas, and finally
from idols, all of them, even the most revered and beloved. . . Overflowing the
bounds of Crete and Greece, it (the struggle) raged in all eras and locales and invaded
the history of mankind. Battling now were not Crete and Turkey but good and evil, light
and darkness, God and the devil. It was always the same battle, the eternal one, and
standing always behind the good, behind the light and God, was Crete; behind evil, behind
darkness, and the devil, Turkey.
I think these passages are self-explanatory. Many Westerners might have felt the same,
if not so vividly. It is not easy, however, to understand how and why Turks have been made
to embody the whole of evil in the world and beyond. I wonder whether he wrote
retrospectively what he felt about Turkey. Anyway, if read together with the following
passage on the death of his father, certain psychoanalytical clues become manifest.
I felt an untellable, profane sense of relief (upon his father's death). A weight, a
shadow, had been lifted from me. The mysterious, invisible string tying me to submission
and fear had been cut. . . I was free now, emancipated. . . I had feared only one man in
my life: my father. . . Towering in front of me, he blocked my share of the sun. . . There
is much darkness in me, much of my father. All my life I have fought desperately to
transubstantiate this darkness and turn it into light. . .
From the comparison of these paragraphs one can infer that `the most revered and
beloved. . . idol(s)' mentioned in the passage relating to Turkey is his father, while the
`darkness' as his father in him, as related in the passage on the death of his father, is
Turkey. In other words, the author unconsciously identifies his father with Turkey, his
struggle against Turkey with the inner struggle against the darkness represented by his
father in his psyche, and freedom from Turkey with the death of his father.
I wonder whether this mental attitude is the secularized version of the historical
religious hatred towards Turks which seems to exist even today among Western and Eastern
Christian countries. If the answer is in the affirmative, I ought to say that it is
utterly unfair towards us that we be made to suffer from our involuntary involvement in an
infantile psychopathology of others with terrible (temporal and metaphysical)
consequences.
In modern times, however, the preoccupation with the `final solution' of the Jewish
problem seems to have given Turks a respite. The devastating moral effect of the Second
World War banished the crusader spirit into the wilderness. 'The blackest agents of Satan'
in the guise of `the Soldiers of God' (in the words of Thomas Fuller) seem to sneak back
into our world once again in such a devious way that it is now difficult even for Turks to
recognize it. Once again, we are accused of committing inhuman acts like those which we
allegedly did at the beginning of the century. The present antagonists of Turkey, however,
are civilized enough not to wash away their sins in our blood, but will be content with
excluding us from Europe while trying to dismember us, a well-known scenario according to
which the heroes of Greek tragedy, who carry the sins of others, are crippled and banished
from the city.
All this can be interpreted as being a sacrifice and an expiation, in the same sense in
which these terms are employed by some perceptive scholars.
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